2 | Basics of Chinese composition | N/A | | | | |
2.1 | Characters and Principles for Arranging Characters in Chinese Composition | N/A | | | | |
2.1.1 | Characters used for Chinese Composition | N/A | | | | |
2.1.2 | Chinese Characters | N/A | | | | |
2.1.3 | Principles for Arranging Characters during Chinese Composition | letter-spacing , text-align , text-justify | CSS Text Module Level 3 | | | More details |
2.2 | Typefaces for Chinese Characters | N/A | | | | |
2.2.1 | Four frequently-used Typefaces for Chinese Characters | font-family | CSS Fonts Module Level 4 | | | |
2.2.2 | Song | | | | | |
2.2.3 | Kai | | | | | |
2.2.4 | Hei | | | | | |
2.2.5 | Fangsong | | | | | |
2.3 | The Type Area (or Printing Area) | | | | | |
2.3.1 | Basic Elements of Page Formatting | | | | | |
2.3.2 | Design of the Type Area | | | | | |
2.3.3 | Type Area and Actual Page Format | | | | | |
2.3.4 | Procedure for Defining the Type Area | | | | | |
2.3.5 | Considerations when Designing the Type Area | | | | | |
2.4 | Writing modes | | | | | |
2.4.1 | Writing Modes in Chinese | | | | | |
2.4.2 | Major Differences between Horizontal and Vertical Writing Modes | | | | | |
3 | Line composition | | | | | |
3.1 | Line Composition Rules for Punctuation Marks | | | | | |
3.1.1 | Categories and Usage of Punctuation Marks | | | | | |
3.1.2 | Sizes and positions of Punctuation Marks | | | | | |
3.1.3 | Atypical punctuation marks and their composition | | | | | |
3.1.4 | Prohibition Rules for Line Start and Line End | | | | | |
3.1.5 | Prohibition Rules for Unbreakable Marks | | | | | |
3.1.6 | Compression Rules for Punctuation Marks | | | | | |
3.1.7 | Hanging Punctuation at Line End | | | | | |
3.2 | Composition of Chinese and Western Mixed Texts | | | | | |
3.2.1 | Composition of Chinese and Western Mixed Text | | | | | |
3.2.2 | Mixed Text Composition in Horizontal Writing Mode | | | | | |
3.2.3 | Mixed Text Composition in Vertical Writing Mode | | | | | |
3.2.4 | Handling Western Text in Chinese Text Using Proportional Western Fonts | | | | | |
3.2.5 | Handling of Grid Alignment in Chinese and Western Mixed Text Composition | | | | | |
3.3 | Interlinear annotations | | | | | |
3.3.1 | Usage of Interlinear Annotations | | | | | |
3.3.2 | Overview of Interlinear Annotation Positioning | | | | | |
3.3.3 | Positioning of Zhuyin Interlinear Annotations | | | | | |
3.3.4 | Positioning of Romanized Interlinear Annotations | | | | | |
3.3.5 | Atypical Cases for Han character Phonetic Annotations | | | | | |
3.3.6 | Positioning of Bilingual Annotations | | | | | |
3.3.7 | Positioning of Interlinear Comments | | | | | |
3.4 | Paragraph Adjustment Rules | | | | | |
3.4.1 | Line Head Indent at the Beginning of Paragraphs | | | | | |
3.4.2 | Paragraph Indent | | | | | |
3.4.3 | Line Alignment Processing | | | | | |
3.4.4 | Handling of Widows and Orphans | | | | | |
4 | Positioning of Headings, Notes, Illustrations, Tables and Expressions | | | | | |
4.1 | Headings & Page Breaks | | | | | |
4.1.1 | Types of Headings | | | | | |
4.1.2 | Font Selection and Heading Font Size | | | | | |
4.1.3 | How to Handle Headings with New Recto and Page Break | | | | | |
4.1.4 | Handling of Spaces just before the New Recto, Page Breaks and New Edges | | | | | |
4.1.5 | Processing of Run-in Headings | | | | | |